School of Cymatics

The World's First School of Cymatics

John Stuart Reid
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At 9:50am on October 12, 2016, Richard R Reed said…

Hi John,

I work for a leading VFX firm (www.dneg.com) and having recently worked with Kip Thorn on Interstellar, we are interested in carrying on the tradition of collaboration with the scientific community on a new cymatics inspired film.  I would love to speak with you.  If your interested, please contact me at rrr@dneg.com.  I can then follow up with a phone call or visit to your facilities as we are based in London.

Hope to hear from you soon,

Richard R Reed

VFX Supervisor

rrr@dneg.com 

At 12:40pm on April 21, 2016, M Rinaldy Mandala Putra said…

email : darahmandar@yahoo.com

At 12:18pm on April 21, 2016, M Rinaldy Mandala Putra said…
My name Rinaldi from Indonesia
I can not speak English , I am writing this email with the help of google translate
I am very interested in cymatic , but I do not know how it works ,
I am happy meditation with music that I like , just so curious as to what shape the image of the music that I heard when meditation
What you could help me ? ...
if you want , then will I send the music
At 3:27pm on March 25, 2014, Mark Oliver said…

By the way, great article! Really opens the eyes and mind to what we hear. As stated in the Cymatics book "One can hear what one sees and see what one hears"

Mark

At 3:23pm on March 25, 2014, Mark Oliver said…

I just read your article about sound being more of a bubble or sphere than a wave. Do you know if anyone is working on an iPhone or Android app that would allow someone to visually experiment with Cymatics? If they aren't I wish someone would. It would be a fantastic tool to see sound in a Sphere as well as a typical Cymatic plate view.

Mark

At 11:33am on January 18, 2013, sergi nieva said…

Hello John.

My name is Sergi Nieva, and i was wondering if i couldask you a few questions about the cymascope.

I'm on my last years of Architecture, long time playing also with sacred geometry, and i fell in love with cymatics the first time a saw it.

Right now i'm triing to produce a Cymascope, allready developing plans, but, as you may think, i have some doubts, not been working on ti as long as you.

Let me now if you have some time, my e-mail is sergi.nieva@gmail.com".

Thanks in advance,

and apologies for my enflish skills...

Sergi

At 5:47pm on April 14, 2010, Caleb Andrew Cox said…
Hi John,

That's very exciting to hear about your book, I'll most definitely be one of the first in line to pick it up once available. =]

Thank you for the information about the bass, I actually just noticed that very thing last night when experimenting with different signals going to the water. Longer tones with gradual amplitude and frequency changes definitely gave better and cleaner results. Having produced a lot of dance and electronic music I have a fascination also of how various beats and percussion sounds interfere and interact with tones. But as I've been learning more about the affect of sound on water and cells however I sense my music will start evolving accordingly, and I've always been a lover of melody above everything. In time I hope to put up some video to go with music that creates pleasant imagery in the water.

Good idea compressing the bass too, I'll have to try some of that in the studio to cut out those low frequency percussion pulses and see what happens!
At 7:07am on February 16, 2010, Jeremy Pfeiffer said…
John,
What does the future hold for this whole cymatics movement?
 
 
 

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